- In saxophone double tonguing, mastering the "Tu-Ku" articulation enables you to perform fast passages that single tonguing cannot handle
- By practicing the K sound alone and starting at a slow tempo, you can develop articulation where the T and K sounds are indistinguishable, leading to improved double tonguing
- The most common reasons for being unable to double tongue on saxophone are inability to articulate the K sound and slow air speed, making it most important to increase air speed and blow firmly and clearly into the instrument
In saxophone playing, double tonguing is an essential technique for performing fast passages that single tonguing cannot handle. Single tonguing involves repeating the same "Tu-Tu-Tu" articulation, while double tonguing alternates between "Tu" and "Ku" in a "Tu-Ku-Tu-Ku" pattern. Mastering double tonguing greatly expands the range of pieces you can play, so it is definitely a technique worth trying. While understanding the concept of double tonguing is important, true improvement comes from experiencing it in actual performance and being able to execute it smoothly.
The Concept of Saxophone Double Tonguing: Mastering the "Tu-Ku" Articulation
In saxophone double tonguing, mastering the "Tu-Ku" articulation is the most important goal. Single tonguing involves repeating the same "Tu-Tu-Tu" articulation, while double tonguing alternates between "Tu" and "Ku" in a "Tu-Ku-Tu-Ku" pattern. However, the difficulty lies in not being able to articulate the K sound the same way as the T in "Tu-Tu-Tu-Tu". To master double tonguing, it is important to first isolate and practice the K sound on its own. By starting with the practice of articulating the "Ku" portion of "Tu-Ku" in succession, you can build the foundation for double tonguing.
Experiencing Saxophone Double Tonguing in Practice
To actually experience saxophone double tonguing, it is important to start at a slow tempo. Rather than a fast tempo, begin at a slow tempo and try articulating the "Ku" portion of "Tu-Ku" in succession. Use a note that is easy for you to produce; since double tonguing is difficult in the upper register, try practicing your articulation in the middle register. Once you can play slightly faster from a slow tempo, try alternating between the two once you feel comfortable. When you reach the point where the T and K sounds, the "Tu" and "Ku," are so similar that you cannot tell which is T and which is K, you can say that double tonguing is well within your reach.
Causes and Solutions
Here we explain the common causes of difficulty with saxophone double tonguing and their solutions. We introduce specific approaches to address challenges such as inability to articulate the K sound, slow air speed, and difficulty in the upper register.
Problem 1: Unable to Articulate the K Sound
In saxophone double tonguing, inability to articulate the K sound is one of the biggest challenges. Since articulating the "Ku" portion of "Tu-Ku" in succession is quite difficult, many players struggle to develop their double tonguing.
Solution: It is important to practice the K sound alone and start at a slow tempo. Rather than a fast tempo, begin at a slow tempo and try articulating the "Ku" portion of "Tu-Ku" in succession. Once you can do this, try alternating between T and K. When the T and K sounds, the "Tu" and "Ku," are so similar that you cannot tell which is T and which is K, you can say that double tonguing is well within your reach.
Problem 2: Slow Air Speed
In saxophone double tonguing, when your air speed is slow, the sound becomes weak and unfocused, making it impossible to execute double tonguing properly. Without increasing your air speed, you cannot achieve a clear and defined double tonguing.
Solution: It is important to practice with fast air speed, avoiding a weak tone, and blowing firmly and clearly into the instrument. The key is to increase your air speed and blow firmly and clearly into the instrument. By continuing this practice, your improvement will accelerate.
Problem 3: Difficulty in the Upper Register
In saxophone double tonguing, there is the challenge that double tonguing is difficult in the upper register. Even if you can do it on middle C, when you try it an octave higher, the difficulty level increases dramatically.
Solution: For double tonguing in the upper register, rather than making the "Tu" and "Ku" articulations sharply distinct, softening them slightly will help you succeed, so try tonguing more gently. First become comfortable in the middle register, then challenge the upper register. Once you can handle both the middle and upper registers, you can truly say you have mastered double tonguing.
Problem 4: Difficulty Applying to Scales
In saxophone double tonguing, there is the challenge that double tonguing on scales is very difficult. Even if you can double tongue on a single note, applying it to scales dramatically increases the difficulty level.
Solution: Start with repeated articulations on a single C note, then gradually transition to practicing double tonguing on scales. Once you can double tongue on a single note, move on to practicing with scales. The key is to increase your air speed and blow firmly and clearly into the instrument.
- ① Practice the K sound alone: Start at a slow tempo and practice articulating the "Ku" portion of "Tu-Ku" in succession
- ② Alternate between T and K: Practice until you reach articulation where the T and K sounds, the "Tu" and "Ku," are so similar that you cannot tell which is T and which is K
- ③ Increase your air speed: Avoid a weak tone and practice blowing firmly and clearly into the instrument
- ④ Start in the middle register and challenge the upper register: Practice articulation in the middle register first, then in the upper register, soften the articulation slightly to succeed
- ⑤ Apply to scales: Transition from repeated articulations on a single C note to practicing double tonguing on scales
In saxophone playing, while understanding the concept of double tonguing is important, true improvement comes from experiencing it in actual performance and being able to execute it smoothly. By practicing the K sound alone and starting at a slow tempo, you can develop articulation where the T and K sounds, the "Tu" and "Ku," are so similar that you cannot tell which is T and which is K, and your double tonguing will improve. By practicing with fast air speed and blowing firmly and clearly into the instrument, your improvement will accelerate. By starting in the middle register, challenging the upper register, and applying to scales, you can fully master double tonguing. By putting these methods into practice, you can improve your saxophone double tonguing technique and perform fast passages that single tonguing cannot handle. Translating concept into feel is the key to improving your saxophone playing.