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[Trumpet] The Essence of Staccato and Tenuto: A Q&A on Controlling the Space Between Notes
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トランペット

[Trumpet] The Essence of Staccato and Tenuto: A Q&A on Controlling the Space Between Notes

In trumpet articulation, staccato and tenuto are essential expressive techniques. Rather than the common understanding of staccato as "cutting notes short," its true meaning is "separating one note from another." Whether it appears on eighth notes or half notes, any time there is a gap between notes, it can be considered staccato. Tenuto means "to sustain the note fully," but when performing in a large concert hall, leaving a very slight gap between notes helps the audience clearly perceive that you are playing tenuto. This article provides a detailed Q&A-format explanation of the true meaning of staccato and tenuto, how to express them in large halls, and how to practice by alternating between staccato and tenuto.

重井吉彦
2026.02.01
[Saxophone] Mastering the Growl Technique: A Q&A on Perfecting Expression Through Voice and Air Pressure
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サクソフォン

[Saxophone] Mastering the Growl Technique: A Q&A on Perfecting Expression Through Voice and Air Pressure

The saxophone growl technique is an advanced method that creates unique expressiveness by vocalizing while playing. By increasing air pressure and using roughly twice the usual amount of air, you can achieve a deep tone that cannot be produced through standard playing. The growl technique sounds particularly striking when performed at augmented third and diminished fourth intervals. This article provides a detailed Q&A covering everything from the basics of the growl technique to solutions for common issues such as difficulty producing sound and running out of breath.

齊藤健太
2026.02.01
Saxophone Tonguing Practice: A Practical Approach Using Scales
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サクソフォン

Saxophone Tonguing Practice: A Practical Approach Using Scales

Scale-based practice is an effective method for improving fundamental saxophone tonguing technique. By understanding the difference between tenuto and staccato and maintaining a consistent airflow using long tones as a reference, you can enhance both tonal consistency and expressiveness. This article provides a detailed guide from the basics of saxophone tonguing practice to practical methods using scales.

都築惇
2026.02.01
Advanced Saxophone Vibrato: The Art of "Variation" and "Non-Vibrato" That Brings Music to Life
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Advanced Saxophone Vibrato: The Art of "Variation" and "Non-Vibrato" That Brings Music to Life

Vibrato is not something you simply apply continuously. Discover the profound philosophy of a professional who says, "Non-vibrato is the ultimate vibrato." By adjusting the speed and depth of your vibrato waves to match emotions such as joy and sorrow, and by sometimes choosing not to use vibrato at all, this lesson teaches you the mindset for maximizing the expressive potential of the saxophone.

上野耕平
2026.01.31
[Horn] From Fundamental Concepts to Physical Awareness: How Posture and Right Hand Position Achieve Sound Projection
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ホルン

[Horn] From Fundamental Concepts to Physical Awareness: How Posture and Right Hand Position Achieve Sound Projection

In horn playing, posture and right hand position are critical elements directly linked to sound projection and tone quality. By understanding the concept of natural posture when holding this heavy instrument and experiencing the correct method of placing your right hand in the bell, you can resolve issues such as muffled or inaudible sound and achieve a resonant performance. This article covers everything from the basic way to hold the horn to how right hand placement and elbow position affect your sound, taking an approach that moves from concept to physical awareness.

豊田実加
2026.02.01
[Saxophone] From Concept to Physical Sensation in Daily Training: Integrating Articulation, Vibrato, and Scales into a Unified Practice Routine
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サクソフォン

[Saxophone] From Concept to Physical Sensation in Daily Training: Integrating Articulation, Vibrato, and Scales into a Unified Practice Routine

This lesson provides a detailed guide on daily training to elevate your saxophone playing. From articulation (half-tonguing), vibrato, and scales to effective metronome use, it explains how to transform conceptual understanding into real physical sensation. Discover the steps to turn your daily fundamentals practice into a creative process for aligning your ideal tone with your technique.

齊藤健太
2026.02.01
Orchestral Excerpts for Horn (Mahler Symphony No. 9, 1st Movement): Don't Just Play the Notes — Master the 'Space' and Design
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Orchestral Excerpts for Horn (Mahler Symphony No. 9, 1st Movement): Don't Just Play the Notes — Master the 'Space' and Design

The horn part in the 1st movement of Mahler's Symphony No. 9 is easy to pass once you get all the notes in place, yet many players end up with a performance that 'doesn't sing from the score.' This lesson covers how to create space at forte-to-piano transitions by counting beats, how to build crescendos without rushing — keeping the piano dynamic sustained before building intensity — and tips for achieving an elegant sound by leaning into a falsetto-like tone quality.

濵地宗
2026.01.28
[Saxophone] Mastering the Upper Register of the Soprano Saxophone: The Mindset for Achieving a Unique Sound
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サクソフォン

[Saxophone] Mastering the Upper Register of the Soprano Saxophone: The Mindset for Achieving a Unique Sound

Many players feel uneasy about the upper register of the soprano saxophone. The moment you try to play, the note crashes downward or comes out thin and airy — this is because the upper register is an extremely delicate domain. In this article, we explore the causes of note dropout, pressure adjustment, and lateral support, all aimed at developing the mindset needed to master the soprano saxophone's upper register and achieve a truly unique sound.

上野耕平
2026.01.31
[Clarinet] Mastering Embouchure: Improving Tone Quality Through Tongue Position and Air Direction
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クラリネット

[Clarinet] Mastering Embouchure: Improving Tone Quality Through Tongue Position and Air Direction

Clarinet embouchure is a crucial element that determines tone quality. By properly controlling the details inside the mouth, particularly tongue position, jaw position, and air direction, you can achieve a stable tone and greater expressiveness. While approaches to tongue position vary among clarinetists, the fundamental principle is to be mindful of jaw position and control air direction. This article provides a detailed Q&A explanation covering embouchure fundamentals, the relationship between tongue and jaw position, methods for controlling air direction, and practical exercises.

篠塚友里江
2026.02.01
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